Project Camelot Presents: Time Travel and Other Worlds
Project Camelot is very pleased to announce our 3rd AWAKE & AWARE
conference. After 7 years of cutting edge testimony presented to the
general public via highly successful interviews, radio shows, online and
real world conferences and on mainstream TV, from Camelot witnesses and
researchers as well as contactees, this year we decided to venture into
uncharted territory.
Awake & Aware 2013: Time Travel & Other Worlds is very likely
the first conference of its kind to bring together scientists,
researchers, whistleblowers with experience working in above top secret
black projects dealing with Time Travel. We are talking about Jump Rooms
to Mars, the Moon as well as underground bases and cities connected by
high speed maglev trains where you go from Pine Gap Australia to Los
Alamos National Labs in minutes rather than hours. We are talking about a
Secret Space program operating under cover of secrecy that is going
Interstellar and terraforming other planets… These speakers will talk
about how the Secret Government travels… by using zero point energy and
hyper dimensional physics to negotiate reality in ways we have only
dreamed of…
Learn about the real existence of time travel and other worlds. Some of Project Camelot’s top minds will share with you their:
Amazing Secrets
Hidden Science
Suppressed Technology
Cutting Edge Research
Top News Buried by the Global Elite
Mind Bending Stories of Personal Experience
This is a must see event for people looking to
unveil the amazing world that has been hidden from them by the
mind-entrancing mainstream media and global elite. Take home with you
an experience that will reshape your world. Seldom in these ever
changing and dynamic times will such a collection of remarkable speakers
come together! This is a must see event! Seats are filling fast... or
watch everything live streamed right to you!
Baraka is a 1992 non-narrative film directed by Ron Fricke. The title Baraka means blessing in a multitude of languages, deriving from the Arabic بركة [1], descending from a common Semitic ancestor and cognate to the Hebrew Baruch.
The film is often compared to Koyaanisqatsi, the first of the Qatsi films by Godfrey Reggio for which Fricke was cinematographer. Baraka was the first in over twenty years to be photographed in the 70mm Todd-AO format.
Content
Baraka has no plot, no storyline, no actors, no dialogue nor any voice-over. Instead, the film uses themes to present new steps and evoke emotion through pure cinema. Baraka is a kaleidoscopic, global compilation of both natural events and by fate, life and activities of humanity on Earth.
Baraka's subject matter has some similarities to Koyaanisqatsi—including footage of various landscapes, churches, ruins, religious ceremonies, and cities thrumming with life, filmed using time-lapse photography in order to capture the great pulse of humanity as it flocks and swarms in daily activity. The film features a number of long tracking shots through various settings, including Auschwitz and Tuol Sleng: over photos of the people involved, past skulls stacked in a room, to a spread of bones. Like Koyaanisqatsi, Baraka compares natural and technological phenomena. It also seeks a universal cultural perspective: a shot of an elaborate tattoo on a bathing Japanese yakuza precedes a view of tribal paint.
Twenty chapters of this film spread over three main sections A1-A3:
A1: Chap. 01-07: Nature untouched by man – indigenous peoples, their rituals as part of nature being integrated.
Chap. 01 – Snow and Ice
Chap. 02 – Temples
Chap. 03 – Light and Shadow
Chap. 04 – The volcano
Chap. 05 – Galápagos Islands
Chap. 06 – Iguazu Falls
Chap. 07 – Africa
A2: Chap. 08-15: Burglary of technology in nature – Uprooted human interaction with nature and with his kind – War and concentration camps.
Chap. 08 – Cigarettes
Chap. 09 – Public Bathing
Chap. 10 – Traffic Chaos
Chap. 11 – Mass Production
Chap. 12 – Madness
Chap. 13 – Aircraft boneyard
Chap. 14 – Shadows of the Past
Chap. 15 – Terracotta Army
A3: Chap. 16-20: Old, still living cultures – The architectural remains of past civilizations – Transience and lasting of all human efforts.
Chap. 16 – Living on the river Ganges
Chap. 17 – Sea of Clouds
Chap. 18 – The Kaaba
Chap. 19 – Starry sky
Chap. 20 – Closing credits
Music
The score by Michael Stearns and featuring music by Dead Can Dance, L. Subramaniam, Ciro Hurtado, Inkuyo, Brother and David Hykes, is noticeably different from the minimalist one provided by Philip Glass for Koyaanisqatsi. The film was produced by Mark Magidson, who also produced and directed the film Toward the Within, a live concert performance by Dead Can Dance.
Reissue
Following previous DVD releases, in 2007 the original 65 mm negative was re-scanned at 8K (a horizontal resolution of 8192 pixels) with equipment designed specifically for Baraka at FotoKem Laboratories. The automated 8K film scanner, operating continuously, took more than three weeks to finish scanning more than 150,000 frames (taking approximately 12–13 seconds to scan each frame), producing over 30 terabytes of image data in total. After a 16-month digital intermediate process, including a 96 kHz/24 bit audio remaster by Stearns for the DTS-HD Master Audio soundtrack of the film, the result was re-released on DVD and Blu-ray Disc in October, 2008. Project supervisor Andrew Oran says this remastered Baraka is "arguably the highest quality DVD that's ever been made".[2] Chicago Sun-Times critic Roger Ebert describes the Blu-ray release as "the finest video disc I have ever viewed or ever imagined."
Sequel
A sequel to Baraka, Samsara, made by the same filmmakers, premiered at the Toronto International Film Festival in 2011 and will be released internationally in later summer of 2012. Also shot in 70mm, "Samsara" explores an arguably darker, updated version of many of the same themes as Baraka.
Reception
Baraka has a 83% of Rotten Tomatoes out of 18 reviews. Roger Ebert included the film in his Great Movies list.
Chronos is a 1985 abstract film directed by Ron Fricke, created with custom-built time-lapse cameras. Originally released in IMAX theaters, it is now available on DVD, Blu-ray, HD DVD, and for free on Hulu and YouTube.
Synopsis
Chronos is 42 minutes long and has no actors or dialog. The soundtrack consists of a single continuous piece by composer Michael Stearns. Filmed in dozens of locations on five continents, the film relates to the concept of time passing on different scales -- the bulk of the film covers the history of civilization, from pre-history to Egypt to Rome to Late Antiquity to the rise of Western Europe in the Middle Ages to the Renaissance to the modern era. It centers on European themes but not exclusively. Other time scales include the passing of seasons, and the passing of night and day, and the passing shadows of the sun in an afternoon to the passing of people on the street. These themes are intermingled with symbolic meaning.
Background
Chronos shares its particular style with the film Koyaanisqatsi (1983), for which Ron Fricke was the cinematographer, as well as his later films Sacred Site and Baraka (1992). The theme of the film is "[t]he celebration of life", and does not include the themes of technology as the culprit for society or "life out of balance", which were present in Koyaanisqatsi. American Cinematographer described the film as "a musical poem praising the evolution of Western man from Cairo to Los Angeles." The film was produced by Canticle Films, a production company founded by Fricke. Funding for Chronos came from the seed money acquired through the publicity surrounding the production of Koyaanisqatsi.
Fricke designed and built a 65 mm camera for the film, which included a motion control system for the film's special effects. The director also used the system in his later films.
Michael Stearns, while composing the soundtrack for the film, used a custom-made instrument called "The Beam" to generate many of the sounds he required. The Beam was 12 feet (3.7 m) long, made of extruded aluminum with 24 piano strings of gauge 19-22.
The name of the film comes from the Ancient Greek word χρόνος, khronos, which means time and is also the source to many modern terms related to time, such as chronology, synchronous etc.
Awards
International OMNI-MAX Film Festival: "Grand Prize Winner"
Koyaanisqatsi - [1982]
Koyaanisqatsi also known as Koyaanisqatsi: Life Out of Balance, is a 1982 film
directed by Godfrey Reggio with music composed by Philip Glass and cinematography by Ron Fricke.
The film consists primarily of slow motion and time-lapse footage of cities and many natural landscapes across the United States. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and music. Reggio explains the lack of dialogue by stating "it's not for lack of love of the language that these films have no words. It's because, from my point of view, our language is in a state of vast humiliation. It no longer describes the world in which we live." In the Hopi language, the word Koyaanisqatsi means "unbalanced life". The film is the first in the Qatsi trilogy of films: it is followed by Powaqqatsi (1988) and Naqoyqatsi (2002). The trilogy depicts different aspects of the relationship between humans, nature, and technology. Koyaanisqatsi is the best known of the trilogy and is considered a cult film. However, because of copyright issues, the film was out of print for most of the 1990s.
Synopsis
The first image in the film is of a pictogram. The section shown depicts several tall darkly-shadowed figures standing near a taller figure adorned with a crown. The next image is a close-up of a rocket during liftoff. The film fades into a shot of a desolate desert landscape. From there, it progresses to footage of various natural environmental phenomena such as waves and clouds.
The film's introduction to human involvement in the environment is a low aerial shot of choppy water, cutting to a similar shot of rows of cultivated flowers. After aerial views of monumental rock formations partly drowned by a lake, we see a large mining truck causing billows of black dust. This is followed by shots of power lines in the desert. Man's continued involvement in the environment is depicted through images of mining operations, oil fields, a power plant, a dam, and atomic bomb detonations in a desert. Following the atomic bomb detonations, the next sequence begins with a shot of sunbathers on a beach, then pans to a power plant in the background. Shots of traffic patterns are seen during rush hour on a freeway and a shot of a large parking lot. This is followed with stock footage of Soviet tanks lined up in rows and a military aircraft, and a aircraft carrier.
Time-lapse photography of shadows of clouds are seen moving across the skyscrapers. Shots of various housing projects in disrepair, and includes footage of the decay and demolition of a housing project. The sequence ends with footage of the destruction of large buildings. A time-lapse shot of a crowd of people who appear to be waiting in a line. This is followed by shots of people walking along streets in slow motion.
The next sequence begins with shots of buildings and a shot of a sunset reflected in the glass of a skyscraper. The sequence uses time-lapse photography of the activity of modern life. The events captured in this sequence involve people interacting with modern technology. The first shots are traffic patterns as seen from skyscrapers at night. This is followed by a shot of the moon passing behind a skyscraper. The next shots are closer shots of cars on a highway. The sun rises over the city and we see people hurrying to work. The film shows at regular speed the operation of machines packaging food. People are shown sorting mail, sewing jeans, manufacturing televisions and doing other jobs with the use of modern technology. A shot of hot dogs being sent down rows of conveyors is followed by a shot of people moving up escalators. The frenetic speed and pace of the cuts and background music do not slow as shots of modern leisure are shown. People eat, play, shop and work at the same speed. The sequence begins to come full circle as the manufacturing of automobiles in an assembly line factory is shown.
More shots of highway traffic are shown, this time in daylight. The film shows the movement of cars, shopping carts, and televisions on an assembly line, and elevators moving from first person perspective. The film then shows clips from various television shows being channel surfed in fast motion. The film, in slow motion, then shows several people reacting to being candidly filmed on the street. The camera stays on them until the moment when they acknowledge its presence by looking directly at it. The sequence then shows cars moving much faster than they were moving before.
Pictures of microchips and satellite photography of metropolitan cities are shown, making a comparison between their layouts. Various shots of people are seen from all walks of modern life, from beggars to debutantes. The final sequence shows footage of a Saturn V rocket lifting off, followed by footage of the May 1962 explosion of an Atlas-Centaur rocket. Here, the camera follows a flaming rocket engine and a white vapor trail or smoke against a blue sky as the rocket plummets to earth. The film ends with another shot of the pictogram.
Production - Background
In 1972, Godfrey Reggio, of the Institute for Regional Education, or IRE, was working on a media campaign in Albuquerque, New Mexico, which was sponsored by the American Civil Liberties Union (ACLU). The campaign involved invasions of privacy and the use of technology to control behavior. As opposed to creating public service announcements, which Reggio felt "had no visibility," advertising spots were purchased for television, radio, newspapers, and billboards. Over 30 billboards were used for the campaign, and one design featured a close-up of the human eye, which Godfrey described as a "horrifying image." To produce the television commercials, the IRE hired cinematographer Ron Fricke who worked on the project for two years. The television ads aired during prime time programming and became so popular that viewers would call the television stations to learn when the next advertisement would be aired. Godfrey described the two year campaign as "extraordinarily successful," and as a result, Ritalin (methylphenidate) was eliminated as a behavior-modifying drug in many New Mexico school districts. But after the campaign ended, the ACLU eventually withdrew its sponsorship, and the IRE unsuccessfully attempted to raise millions of dollars at a fundraiser in Washington, D.C. The institute only had $40,000 left in their budget, and Reggio was unsure how to use the small amount of funds. Fricke insisted to Reggio that the money could be used to produce a film, which led to the production of Koyaanisqatsi.
The 7 July 2005 London bombings (referred to often as 7/7) were a series of coordinated suicide attacks upon the United Kingdom, targeting Londoners using the public transport system during the morning rush hour. During that morning, four homegrown militants detonated four bombs, three on London Underground trains in quick succession, a fourth bomb exploding an hour later in a double-decker bus in Tavistock Square. Fifty-six people, including four bombers, were killed by the attacks, and about 700 were injured. The explosions were caused by homemade, organic peroxide-based devices packed into rucksacks. Additional information visit: Daily Mail
What went down?
As regards the bombings, a belief that the official version of events is incomplete or differs from the facts is an opinion of a minority. For example, a survey of 500 British Muslims undertaken by Channel 4 News found that 24% believed the four men blamed for the attacks did not perform them. During 2006, the government had refused to hold a public inquiry, stating that "it would be a ludicrous diversion". Then Prime Minister Tony Blair said an independent inquiry would "undermine support" for MI5, while David Cameron said only a full inquiry would "get to the truth". In reaction to revelations about the extent of security service investigations into the bombers prior to the attack, then Shadow Home Secretary, David Davis said: "It is becoming more and more clear that the story presented to the public and Parliament is at odds with the facts." However, the decision against an independent public inquest was later reversed. A full public inquest into the bombings was subsequently begun from October 2010. Coroner Lady Justice Hallett stated that the inquest would examine how each victim died and whether MI5, if it had worked better, could have prevented the attack.
There have been various conspiracy theories proposed about the bombings, including the suggestion that the bombers were 'patsies', based on claims about timings of the underground trains and the train from Luton, supposed explosions under the carriages, and allegations of the faking of the one time-stamped and dated photograph of the bombers at Luton station. Claims made by one theorist in the internet video 7/7 Ripple Effect were examined by the BBC documentary series The Conspiracy Files, in an episode titled 7/7 first broadcast on 30 June 2009, which debunked many of the video's claims.
On the same day of the bombings Peter Power gave interviews on BBC Radio 5 Live and ITV saying that he was working on a crisis management simulation drill, in the City of London, "based on simultaneous bombs going off precisely at the railway stations where it happened this morning", when he heard that an attack was going on in real life. He described the incidence as a co-incidence. He also gave an interview to the Manchester Evening News where he spoke of "an exercise involving mock broadcasts when it happened for real". After a few days he dismissed it as a "spooky coincidence" on Canadian TV.
7/7 Ripple Effect
Verint Systems is the security firm that is responsible for the CCTV surveillance cameras, in the London Underground rail network, and it is an Israeli company, with approximately 1000 employees. This documentary explores why no CCTV footage of the four Muslims boarding the tube-trains has been released.
Mind the Gap-London bombings were orchestrated by the U.K. Government
After providing several instances of governments being guilty of false-flag operations during recent times, Alex jones provides evidence pointing towards the involvement of the British government in the 7/7 London Bombings in this extract from one of his recent documentaries, Terror Storm.
Ludicrous Diversion,7/7 London Bombings
On the 7th of July 2005 London was hit by a series of explosions. You probably think you know what happened that day. But you don't. The police have, from the onset of their investigation, chosen to withhold from the public almost every bit of evidence they claim to have and have provably lied about several aspects of the London Bombings. The mainstream news has willfully spread false, unsubstantiated and unverifiable information, while choosing to completely ignore the numerous inconsistencies and discrepancies in the official story. The government has finally, after a year, presented us with their official 'narrative' concerning the event.
Within hours it was shown to contain numerous errors, a fact since admitted by the Home Secretary John Reid. They have continuously rejected calls for a full, independent public inquiry. Tony Blair himself described such an inquiry as a 'ludicrous diversion'. What don't they want us to find out?
Bobby Friction - Generation 7/7
Radio 1 DJ Bobby Friction investigates how the 7/7 london bombings have affected young Britsh Asians. Produced & Directed by Andy Lee for Channel 4, 2006
Biography Source from: Spiritual Regression Michael Newton, Ph.D is the Founder of The Michael Newton Institute for Life Between Lives Hypnotherapy (TNI) and served from 2002-2005 as the first President. Our organization began as the Society for Spiritual Regression (SSR) but this name was later changed to TNI to honor our Founder.
Dr. Newton continues to serve on the TNI Board. He holds a doctorate in Counseling Psychology, is a certified Master Hypnotherapist and is a member of the American Counseling Association. He has been on the faculty of higher educational institutions as a teacher and counselor while also active in private practice. In addition, Dr. Newton has been a corporate consultant and worked as a behavioral counselor and group therapy director for community mental health centers and spiritual renewal organizations in cooperation with hospital and social service agencies. He has been a hypnotherapist for over 50 years and a LBL therapist for over 40 years. He is considered a pioneer in uncovering the mysteries about life after death through the use of Spiritual Regression.
In 1998 Dr. Newton received the National Association of Transpersonal Hypnotherapists annual award of "Most Unique Contribution by a Hypnotherapist" for his years of soul memory research and mapping the cosmology of the afterlife. He is the author of three best selling books, Journey of Souls: Case Studies of Life Between Lives (1994), Destiny of Souls: New Case Studies of Life Between Lives (2000) and Life Between Lives Hypnotherapy (2004) published by Llewellyn. These books have been translated into over 25 languages. In 2001 his second book was awarded "Metaphysical Book of the Year" by the independent publishers association at their annual Book Exposition of America meeting. He is also the editor of the new book Memories of the Afterlife (2009), which includes intriguing case studies written by members of his growing network of Life Between Lives therapists.
Dr. Newton has appeared on numerous radio and television shows and was an active speaker on the lecture circuit before his retirement, explaining his discoveries and beliefs about our immortal life in the spirit world. He is now retired from active practice, devoting his time to TNI, especially our LBL training programs. Dr. Newton can be reached through his publisher c/o Llewellyn Worldwide, Inc. 2143 Wooddale Drive Woodbury, MN 55125-2989. For a response you must include a self-addressed, stamped envelope. A return international stamp coupon must be included if you live outside the USA.
A message from Michael Newton Source from: Spiritual Regression "If you have come this far in your search for meaning, purpose and a divine plan in your life, I sincerely believe you are in the right place. Our organization is devoted to helping people access their higher soul self through a unique process involving deep hypnosis developed over many years.
By using our referral list of Certified Life Between Lives Hypnotherapists, all of whom are bound by our Code of Ethics, you have an excellent opportunity for personal exposure to the age-old questions: Who am I? Where do I come from? Why am I here? Where am I going after death? Thousands of our clients have benefited from learning the answers to these compelling questions. I feel that unlocking this sacred information, held in your own mind, through a life-between-lives (LBL) spiritual regression session will be one of the most profound experiences of your life. " With best wishes... Michael
The Newton Institute was founded by Dr. Michael Newton, author of the best-selling books Journey of Souls, Destiny of Souls and Life Between Lives Hypnotherapy. Our organization began as The Society for Spiritual Regression but this name was later changed to TNI to honor its Founder. The Newton Institute (TNI for short) is the home of certified practitioners who provide the experience of Life Between Lives Hypnotherapy (LBL) to individuals throughout the world who wish to find out more about their immortal identity. Life Between Lives Hypnotherapy is a method, pioneered by Michael Newton, using a deep state of hypnosis, whereby individuals can access soul memories.
For hidden within are memories of your life as a soul, between incarnations, your life with soul friends and family, planning your future lives on earth. This technique offers you an opportunity to experience a trance-induced "superconscious" state of awareness that brings a deep sense of love, compassion and an understanding of your life purpose. Everyone's experience is unique and personal so you can be confident of a spiritual journey that will fulfill your own needs and wishes.
The Dr. Michael Newton Institute for Life Between Lives Hypnotherapy was founded by Dr. Michael Newton, author of the best-selling books Journey of Souls and Destiny of Souls. The Newton Institute provides information, support, education, therapist training and referral services to individuals desiring an experiential understanding of their nature as an eternal spiritual being through the process of Life-Between-Lives Spiritual Regression. This method offers you a means to access soul memories through a trance-induced "super conscious" state of awareness that brings a deep sense of love, compassion and an understanding of our life purpose
Past Life Therapy: Journey Between Lives - Part 1 of 5
Past Life Therapy: Journey Between Lives - Part 2 of 5
Past Life Therapy: Journey Between Lives - Part 3 of 5
Past Life Therapy: Journey Between Lives - Part 4 of 5
Past Life Therapy: Journey Between Lives - Part 5 of 5
Dr Michael Newton has been a hypnotherapist for over 50 years and a Life Between Lives therapist for over 40 years. He is considered a pioneer in uncovering the mysteries about life after death through the use of Spiritual Regression. This is an interview with Kelly Howell on Theater Of The Mind.
Dr. Michael Newton is the founder of The Michael Newton Institute for Life Between Lives Hypnotherapy,here he talks about his research into past lives and where a soul goes before being reincarnated on earth. Over many years, Dr. Newton developed his own intensive age regression techniques in order to effectively take hypnosis subjects beyond their past life memories to a more meaningful soul experience between lives. He is considered to be a pioneer in uncovering the mysteries about life after death through the use of spiritual hypnotic regression. He now trains other advanced hypnotherapists in his techniques.
Michael Newton - Life between Lives - Part 1 of 6
Michael Newton - Life between Lives - Part 2 of 6
Michael Newton - Life between Lives - Part 3 of 6
Michael Newton - Life between Lives - Part 4 of 6
Michael Newton - Life between Lives - Part 5 of 6
Michael Newton - Life between Lives - Part 6 of 6
Deepak Chopra - Life after Death - Part 1 of 3
Deepak Chopra - Life after Death - Part 2 of 3
Deepak Chopra - Life after Death - Part 3 of 3
Past Lives: Reincarnation, Memory & Karma of the Soul
Merkaba, also spelled Merkabah, is the divine light vehicle allegedly used by ascended masters to connect with and reach those in tune with the higher realms. "Mer" means Light. "Ka" means Spirit. "Ba" means Body. Mer-Ka-Ba means the spirit/body surrounded by counter-rotating fields of light, (wheels within wheels), spirals of energy as in DNA, which transports spirit/body from one dimension to another.
Star Tetrahedron
In modern esoteric teachings, it is taught that the MerKaBa is an interdimensional vehicle consisting of two equally sized, interlocked tetrahedra of light with a common center, where one tetrahedron points up and the other down. This point symmetric form is called a stella octangula or stellated octahedron which can also be obtained by extending the faces of a regular octahedron until they intersect again. In his books, researcher and physicist Drunvalo Melchizedek describes this figure as a "Star Tetrahedron", since it can be viewed as a three dimensional Star of David. By imagining two superimposed "Star Tetrahedrons" as counterrotating, along with specific "prana" breathing techniques, certain eye movements and mudras, it is taught that one can activate a non-visible 'saucer' shaped energy field around the human body that is anchored at the base of the spine.
This looks like a UFO
Depending on the height of the person doing the exercise, this field is about 55 feet across. Once activated, this 'saucer' shaped field is capable of carrying ones consciousness directly to higher dimensions.
Flower of Life
The Flower of Life is a geometrical figure composed of multiple evenly-spaced, overlapping circles, that are arranged so that they form a flower-like pattern with a six-fold symmetry like a hexagon. In other words, the center of each circle is on the circumference of six surrounding circles of the same diameter. The Temple of Osiris at Abydos, Egypt contains the oldest to date example. it is carved in granite and may possibly represent the Eye of Ra a symbol of the authority of the pharaoh.Other examples can be found in Phoenician, Assyrian, Indian, Asian, Middle Eastern, and medieval art. A Flower of Life pattern can be constructed with a pen, compass and paper, by creating multiple series of interlinking circles. In some renditions, the rosette on the unofficial flag of Padania is a partial version of the "flower of life" pattern. The Flower of Life pattern contains the basis of Metatron's Cube. From this pattern, all five of the Platonic solids can be derived.
Mer-Ka-Ba Meditation
The Teaching Of Spherical Breathing: Using 18 Breaths
By Drunvalo Melchizedek There are 17+1 breaths, where the first six are for balancing the polarity, the next seven for proper pranic flow through the entire body. The further breaths are for shifting the consciousness from 3rd to 4th dimension and finally the last three breaths is for re-creating the rotating Merkabah within and around the body. The last breath is not taught. Once each day, enter into this meditation, until the time comes when you are a conscious breather, remembering with each breath your intimate connection with God.
FIRST BREATH: Inhale
HEART: Open your heart and feel love for all life. If you cannot do this, you must at least open to this love as much as is possible for you. This is the most important instruction of all. MIND: Become aware of the male tetrahedron (the apex facing up to the sun, the point facing to the front for male, the point to the back for females) filled with the brilliant white light surrounding your body. Visualize it the best you can. If you cannot visualize it, sense or feel it surrounding you.
BODY: At the same moment of inhalation, place your hands in the mudra of your thumb and first finger touching. Remember, lightly touch your fingers, and do not allow your fingers to touch each other or any other object. Keep your palms facing up.
BREATH: At this same moment, with empty lungs, begin to breath in a complete yogic manner. Breath through your nostrils only, except at certain places which will be described. Simply put, breath from your stomach first, then your diaphragm, and finally your chest. Do this in one movement, not three parts. The exhale is completed either by holding the chest firm and relaxing the stomach, slowly releasing the air, or by holding the stomach firm and relaxing the chest. The most important aspect is that this breathing must be rhythmic. Begin by using seven seconds in and seven seconds out, but as you get familiar with this meditation, find your own rhythm. The following instructions for a complete Yogic Breath are from "the Hindu-Yogi Science of Breath" by Yogi Ramacharake. Perhaps this description will be helpful.
Breathing through the nostrils, inhale steadily, first filling the lower part of the lungs, which is accomplished by bringing into play the diaphragm, which descending exerts a gentle pressure on the abdominal organs, pushing forward the front walls of the abdomen. Then fill the middle part of the lungs, pushing out the lower ribs, breastbone and chest. Then fill the higher portion of the lungs, protruding the upper chest, thus lifting the chest, including the upper six or even pairs of ribs.
At first reading it may appear that this breath consists of three distinct movements. This, however, is not the correct idea. The inhalation is continuous, the entire chest cavity from the lowered diaphragm to the highest point of the chest in the region of the collar bone, being expanded with a uniform movement. Avoid a jerky series of inhalations, and strive to attain a steady continuous action. Practice will soon overcome the tendency to divide the inhalation into three movements, and will result in a uniform continuous breath. You will be able to complete the inhalation in a few seconds after a little practice.
Exhale quite slowly, holding the chest in a firm position, and drawing the abdomen in a little and lifting it upward as the air leaves the lungs. When the air is entirely exhaled, relax the chest and abdomen. A little practice will render this part of the exercise easy, and the movement once acquired will be afterward performed almost automatically.
FIRST BREATH: Exhale
HEART: Love
MIND: Become aware of the female tetrahedron, (apex pointing to the earth, point facing to the back for males, point facing to the front for females), also filled with the brilliant white light
BODY: Keep the same mudra.
BREATH: Do NOT hesitate at the top of the inhalation to begin the exhalation. Exhale quite slowly, approximately seven seconds, in the Yogic manner. When the air is out of the lungs, without forcing, relax the chest and abdomen and HOLD the breath. When you feel pressure to breathe again, after about five seconds or so, then do the following:
MIND: Be aware of the flat equilateral triangle at the top of the female tetrahedron located in the horizontal plane that passes through your chest at the sternum. In a flash, and with a pulse like energy, send that triangular plane down through the female tetrahedron. It gets smaller as it goes down and pushes out the tip or apex of the tetrahedron all the negative energy of the mudra or electrical circuit, a light will shoot out of the apex toward the center of the Earth. The Mind exercise is performed along with the following BODY movements.
BODY: Move your eyes slightly toward each other, or, in other words, slightly cross your eyes. Now bring them up to the top of their sockets, or in other words, look up. Also, this looking up motion should not be extreme. You will feel a tingling feeling between your eyes in the area of your third eye . You can now look down to the lowest point you can, as fast as you can. You should feel an electrical sensation move down your spine. The MIND and BODY must coordinate the above mental exercise with the eye movements. The eyes look down from their up position at the same time the mind sees the triangular horizontal plane of the female tetrahedron move down to the apex of the female tetrahedron. This combined exercise will clean out the negative thoughts and feelings that have entered into your electrical system. Specifically, it will clean out the part of your electrical system that is associated with the particular mudra you are using. Immediately upon pulsing the energy down your spine, you change mudras to the next one and begin the entire cycle over again. The next five breaths are a repeat of the first breath with the following mudra changes:
Second breath mudra: Thumb and second finger together
Third breath mudra: Thumb and third finger together
Fourth breath mudra: Thumb and little finger together
Fifth breath mudra: Thumb and first finger together (same as first breath)
Sixth breath mudra: Thumb and second finger together (same as second breath)
The first part, the first six breaths, the balancing of the polarities, and the cleansing of your electrical system is now complete. You are now ready for the next part, the next seven breaths.
Here an entirely new breathing pattern begins. You do not need to visualize the star tetrahedron at this time. Only the tube that runs through the star, from the apex of the male tetrahedron above your head to the apex of the female tetrahedron below your feet, needs to be seen and worked with. This extends one hand length above your head and one hand length below your feet. The diameter of YOUR tube will be the size of the hole formed by YOUR thumb and forefinger touching.
BREATH NUMBER SEVEN: Inhale
HEART: Love. There is another refinement here that can be used after you have perfected this meditation.
MIND: Visualize or sense the tube running through your body. The instant you begin the seventh inhale, see the brilliant white light of the prana moving down the tube from the top and up the tube from the bottom at the same time. This movement is almost instantaneous. The point where these two light beams meet within your body is controlled by the mind and is a vast science known throughout the universe. In this teaching however, we will only be shown what is necessary , that which will take you from third to fourth dimensional awareness. In this case you will direct the two beams of prana to meet at your navel, or more correct, within your body at navel level, inside the tube. The moment the two beams of prana meet, which is just as the inhale begins, a sphere of white light or prana is formed at the meeting point about the size of a grapefruit centered on the tube. It all happens in an instant. As you continue to take the inhale of the seventh breath, the sphere of prana begins to concentrate and grow slowly.
BODY: For the next seven breaths use the same mudra for both inhale and exhale, the thumb, first and second touching together palms up.
BREATH: Deep rhythmic Yogic breathing, seven seconds in and seven seconds out. There is no holding of the breath from now on. The flow of prana from the two poles will not stop or change in any way when you go from inhale to exhale. It will be a continuous flow that will not stop for a long as you breath in this manner, even after death.
SEVENTH BREATH: Exhale
MIND: The prana sphere centered at the navel continues to grow. By the time of the full exhale, the prana sphere will be approximately eight or nine inches in diameter.
BREATH: Do not force the air out of your lungs. When your lungs are empty naturally, immediately begin the next breath.
EIGHTH BREATH: Inhale
HEART: Love
MIND: The prana sphere continues to concentrate life force energy and grow in size
EIGHT BREATH: Exhale
MIND: The prana sphere continues to grow in size and will reach maximum size at the end of this breath. This maximum size is different for each person. If you put your longest finger in the center of your navel, the line on your wrist defining your hand will show you the radius of the maximum size of this sphere for YOU. This sphere of prana cannot grow larger.
NINTH BREATH: Inhale
MIND: The prana sphere cannot grow larger, so what happens is the prana begins to concentrate within the sphere. The visual appearance is that the sphere grows BRIGHTER.
BREATH: Sphere grows brighter and brighter as you inhale.
NINTH BREATH: Exhale
BREATH: As you exhale, the sphere continues to grow brighter and brighter.
TENTH BREATH: Inhale
MIND: About half way through this inhale, as the sphere continues to brighter, the prana sphere reaches critical mass. The sphere ignites into a sun, a brilliant blinding ball of white light. You are now ready for the next step.
TENTH BREATH: Exhale
MIND: At the moment of exhale, the small sphere two hand lengths in diameter bulges to expand. In one second, combined with the breath talked about below, the sphere expands quickly out to the sphere of Leonardo, out at your finger tips of your extended arms. Your body is now completely enclosed within a huge sphere of brilliant white light. You have returned to the ancient form of spherical breathing. However, at this point, this sphere is not stable. You MUST breath three more times to keep the sphere stable.
BREATH: At the moment of exhale, make a small hole with your lips and blow out your air with pressure. As you feel the sphere begin to bulge, all within the first second of this exhale, let all of your air out rapidly. The sphere will expand at that moment.
ELEVENTH, TWELFTH and THIRTEENTH BREATH: Inhale and Exhale
MIND: Relax and just feel the flow of the prana flowing from the two poles and meeting at the navel and then expanding out to the large sphere
BREATH: Breath rhythmically and deeply. At the end of the thirteenth breath you have stabilized the large sphere and are ready for the important 14th breath.
THE FOURTEENTH BREATH
HEART: Love
MIND: On the inhale of the 14th breath, at the very beginning of the breath, move the point where the two beams of prana meet from the navel to the sternum, the fourth dimensional chakra. The entire large sphere, along with the original sphere, which is also still contained within the large sphere, moves up to the new meeting point within the tube. Though this is very easy to do, it is an extremely powerful movement. Breathing from this new point within the tube will inevitably change your awareness from third to fourth dimensional consciousness, or from earth consciousness to Christ consciousness.
BODY: This mudra will be used for the rest of the meditation. Place the left palm on top of the right palm for males and the right palm on top of the left palm for females. It is a mudra that relaxes.
BREATH: Rhythmic breath and deep. However, if you continue to breathe from your Christ center without moving on to the MER-KA-BA, which is what is recommended until you have made contact with your Higher Self, then shift to a shallow breath. In other words, breath rhythmically but in a comfortable manner where your attention is more on the flow of energy moving up and down the tube meeting at the sternum and expanding out to the large sphere. Just feel the flow. Use your feminine side to just be. At this point don't think, just breath, feel and be. Feel your connection to All Life through the Christ Breath. Remember your intimate connection with God.
The Mer-Ka-Ba, The Vehicle Of Ascension
The Last Three Breaths You are asked not to attempt this FOURTH PART until you have made contact with your Higher Self, AND your Higher Self has given you permission to proceed. This part is to be taken seriously. The energies that will come into and around your body and spirit are of tremendous power. If you are not ready, you could hurt yourself. If your Higher Self gives you permission to enter into the MER-KA-BA, then don t fear, for you will be ready.
FIFTEENTH BREATH: Inhale:
HEART: Love
MIND: Be aware of the whole star tetrahedron. Realize that there are three whole star tetrahedrons superimposed over each other. One is the body itself, and is locked in place and never, except under certain conditions, moves. It is placed around the body according to maleness or femaleness. The second whole star tetrahedron is male in nature, it is electrical, is literally the human mind and rotates counter-clockwise relative to your body looking out, or to put it another way, it rotates toward your left side. The third whole star tetrahedron is female in nature, is magnetic, is literally the human emotional body and rotates clockwise relative to your body looking out, or to put it another way, it rotates toward your right side.
To be clear, we are not telling you to rotate the male tetrahedron one way and the female the other way. When we say rotate the whole star tetrahedron, we mean the whole thing.
On the inhale of the fifteenth breath, as you are inhaling, you will say to yourself, in your head, the code words, EQUAL SPEED. This will tell your mind that you want the two rotatable whole star tetrahedrons to begin spinning in opposite directions at equal speeds at the time of the exhale. Meaning that for every complete rotation of the mind tetrahedrons, there will be a complete rotation of the emotional tetrahedrons.
BODY: Continue the mudra of the folded hands from now on.
BREATH: Breath Yogic and rhythmically an deeply again, but only for the next three breaths, after that return to the shallow breathing.
FIFTEENTH BREATH: Exhale
MIND: The two sets of tetrahedrons take off spinning. In an instant, they will be moving at exactly one third the speed of light at their outer tips. You probably will not be able to see this because of their tremendous speed, but you can feel it. What you have just done is to start the MOTOR of the MER-KA-BA. You will not go anywhere, or have an experience. It is just like starting the motor of a car, but having the transmission in neutral.
BREATH: Make a small hole with your lips just like you did for breath Number Ten. Blow out in the same manner, and as you do, feel the two sets of tetrahedrons take off spinning.
SIXTEENTH BREATH: Inhale
MIND: As you let out the breathe, the two sets of tetrahedrons take off from their one third speed of light setting to two third speed of light in an instant. As they approach two thirds speed of light speed a phenomena takes place. A disk about 55 feet in diameter forms around the body at the level of the base of the spine. And the sphere of energy that is centered around the two sets of tetrahedrons forms with the disk to create a shape that looks like a FLYING SAUCER around the body. This energy matrix is called the MER-KA-BA. However, it is not stable. If you see or sense the MER-KA-BA around you at this point, you will know it to be unstable. It will be slowly wobbling. Therefore Breath Number Seventeen is necessary.
BREATH: Same as breath 16, make a small hole in your lips, and blow out with pressure. It is at this point that the speeds increases. As you feel the speed increasing, let out all your breath with force. This action will cause the higher speed to be fully obtained and the MER-KA-BA to be formed.
SEVENTEENTH BREATH: Inhale
HEART: Remember, unconditional love for all life must be felt through out all of this meditation or no results will be realized.
MIND: As you breathe in, say to yourself, in your head, the code NINE TENTHS THE SPEED OF LIGHT. This code will tell your mind to increase the speed of the MER-KA-BA to nine tenths the speed of light which will stabilize the rotating field of energy. It will also do something else. This third dimensional universe that we live in is tuned to 9/10 the speed of light. Every electron in your body is rotating around every atom in your body at 9/10 the speed of light. This is the reason this particular speed is selected.
BREATH: Breathe rhythmically and in a Yogic manner.
SEVENTEENTH BREATH: Exhale
MIND: The speed increases to 9/10 the speed of light and stabilizes the MER-KA-BA.
BREATH: Same as breath 15 and 16, make a small hole in your lips, and blow out with pressure. As you feel the speed take off, let all your breath out with force. You are now in your stable and Third dimensionally tuned MER-KA-BA. With the help of your Higher Self, you will understand what this really means.
EIGHTEENTH BREATH: This very special breath will not be taught here. You must receive it from Your Higher Self. It is the breath that will take you through the speed of light into the fourth dimension. You will disappear from this world and reappear in another one that will be your new home for awhile. This is not the end, but the beginning of an ever expanding consciousness returning you HOME to your FATHER.
Merkaba
The word Merkaba or Merkava - Hebrew 'Chariot'or general meaning "to ride an animal, in a chariot" - is used in the Bible (Ezekiel 1:4-26) to refer to the throne-chariot of God, the four-wheeled vehicle driven by four Cherubim, each of which has four wings and four faces (of a man, lion, ox, and eagle). Four means 'time' in alchemy.
Ezekiel, Sumerian Gods, UFO Connections
Wheels Within Wheels
In medieval Judaism, the beginning of the book of Ezekiel was regarded as the most mystical passage in the Bible, and its study was discouraged, except by mature individuals with an extensive grounding in the study of traditional Jewish texts.
Jewish biblical commentaries emphasize that the imagery of the Merkaba is not meant to be taken literally; rather the chariot and its accompanying angels are analogies for the various ways that God reveals Himself in this world.
Maimonides in his 13 principles of faith emphasies that God is not limited to any particular form, as this prophesy might seem to imply. Chassidic philosophy and Kaballah explain at length what each aspect of this vision represents in this world, and how they in no way imply that God is made up of these forms. The danger of understanding these passages as literal decriptions of God's image likely accounts for the opposition among Torah scholars towards learning this topic without the proper initiation. Jews customarily read the Biblical passages concerning the Merkaba in their synagogues every year on the holiday of Shavuot.
History
The earliest merkabah speculations were exegetical expositions of the prophetic visions of God in the heavens, and the divine retinue of angels, hosts, and heavenly creatures surrounding God. The earliest evidence suggests that merkabah homiletics did not give rise to ascent experiences - as one rabbinic sage states: "Many have expounded upon the merkabah without ever seeing it" (Tosefta' Megillah 3[4]:28).
The Talmudic interdictions concerning merkabah speculation are numerous and widely held. Discussions concerning the merkabah were limited to only the most worthy sages, and admonitory legends are preserved about the dangers of overzealous speculation concerning the merkabah. The sages Rabbi Yochanan Ben Zakkai (d. ca. 80 CE) and later, Rabbi Akiva (d. 135) were deeply involved in merkabah speculation. Rabbi Akiva and his contemporary Rabbi Ishmael ben Elisha are most often the protagonists of later merkabah ascent literature.
Beyond the rabbinic community, Jewish apocalyptists also engaged in visionary speculations concerning the divine realm and the divine creatures which are remarkably similar to the rabbinic material. A small number of texts unearthed at Qumran indicate that the Dead Sea community also engaged in merkabah speculation. Recently uncovered Jewish mystical texts also evidence a deep affinity with the rabbinic merkabah homilies. Recently, considerable scholarly attention has been paid to the use of merkabah themes in early Jewish-Christian circles.
The merkabah homilies eventually consisted of detailed descriptions of multiple layered heavens (usually seven in number), often guarded over by angels, and encircled by flames and lightning. The highest heaven contains seven palaces (hekhalot), and in the innermost palace resides a supreme divine image (God's Glory or an angelic image) seated on a throne, surrounded by awesome hosts who sing God's praise.
When these images were combined with an actual mystical experiential motif of individual ascent (paradoxically called "descent" in most texts) and union is not precisely known. By inference, contemporary historians of Jewish mysticism usually date this development to the third century CE. Again, there is a significant dispute amongst historians over whether these ascent and unitive themes were the result of some "foreign," usually Gnostic, influence, or a natural progression of religious dynamics within rabbinic Judaism.
The Biblical Merkaba in Depth
According to the verses in Ezekiel and its attendant commentaries, the analogy of the Mekaba image consists of a chariot made of many angels being driven by the "Likeness of a Man." Four angels form the basic structure of the chariot. These angels are called the "Chayot".
The bodies of the "Chayot" are like that of a human being, but each of them had four faces, corresponding to the four directions the chariot can go (north, east south and west). The faces are that of a man, a lion, an ox (later changed to a child or cherub) and an eagle. Since there are four angels and each has four faces, there are a total of 16 faces. Each Chayot angel also has four wings.
Two of these wings spread across the length of the chariot and connected with the wings of the angel on the other side.
This created a sort of 'box' of wings that formed the perimeter of the chariot. With the remaining two wings, each angel covered its own body.
Below, but not attached to the feet of the "Chayot" angels are other angels that are shaped like wheels. These wheel angels, which are described as "a wheel inside of a wheel", are called "Ophannim" - wheels, cycles or ways).
These wheels are not directly under the chariot, but are nearby and along its perimeter much like the wheels of a car. The angel with the face of the man is always on the east side and looks up at the "Likeness of a Man" that drives the chariot. The "Likeness of a Man" sits on a throne made of saphire.
The Bible later makes mention of a third type of angel found in the Merkaba called "Seraphim" (lit. burning) angels. These angels appear like flashes of fire continuously ascending and decending.
These "Seraphim" angels functioned somewhat like pistons in that they powered the movement of the chariot. In the hierarchy of these angels, "Seraphim" are the highest, that is, closest to God, followed by the "Chayot", which are followed by the "Ophannim".
The chariot is in a constant state of motion, and the energy behind this movement runs according to this heirarchy. The movement of the "Ofanim" is controlled by the "Chayot" while the movement of the "Chayot" is controlled by the "Serafim". The movement of all the angels of the chariot are controlled by the "Likeness of a Man" on the Throne.
A Chassidic Explanation
Chassidic philosophy explains that Merkaba is a multi-layered analogy that offers insight into the nature of man, the ecosystem, the world, and teaches us how to become better people.
The four Chayot angels represent the basic archetypes that God used to create the current nature of the world. Ofannim, which means ways, are the ways these archetypes combine to create actual entities that exist in the world. For instance, in the basic elements of the world, the lion represents fire, the ox earth, the eagle wind, and the man water.
However, in practice, everything in the world is some combination of all four, and the particular combination of each element that exist in each thing are its particular Ofannim or ways. In another example, the four Chayot represent spring, summer, winter and fall. These four types of weather are the archetypal forms. The Ofannim would be the combination of weather that exists on a particular day, which may be a winter-like day within the summer or a summer like day within the winter or whatever.
The Man on the throne represents God, who is controlling everything that goes on in the world, and how all of the archetypes He set up should interact.
The Man on the throne, however, can only drive when the four angels connect their wings.
This means that God will not be revealed to us by us looking at all four elements (for instance) as separate and independent entities. However, when one looks at the way that earth, wind, fire and water (for instance) which all oppose each other are able to work together and coexist in complete harmony in the world, this shows that there is really a higher power (God) telling these elements how to act.
This very lesson carries over to explain how the four basic groups of animals and the four basic archetypal philosophies and personalities reveal a higher, godly source when one is able to read between the lines and see how these opposing forces can and do interact in harmony. A person should strive to be like a Merkaba, that is to say, he should realize all the different qualities, talents and inclinations he has (his angels).
They may seem to contradict, but when one directs his life to a higher goal such as doing God's will (the man on the chair driving the chariot) he will see how they all can work together and even complement eachother.
Ultimately, we should strive to realize how all of the forces in the world, though they may seem to conflict can unite when one knows how to use them all to fulfill a higher purpose, namely to serve God.
Key Texts
The ascent texts are extant in four principal works, all redacted well after the third but certainly before the ninth century CE.
They are: 1) Hekhalot Zutartey ("The Lesser Palaces"), which details an ascent of Rabbi Akiva; 2) Hekhalot Rabbati ("The Greater Palaces"), which details an ascent of Rabbi Ishmael; 3) Ma`aseh Merkabah ("Account of the Chariot"), a collection of hymns recited by the "descenders" and heard during their ascent; and 4) Sepher Hekhalot ("Book of Palaces," also known as 3 Enoch), which recounts an ascent and divine transformation of the biblical figure Enoch into the archanel Metatron, as related by Rabbi Ishmael.
A fifth work provides a detailed description of the Creator as seen by the "descenders" at the climax of their ascent.
This work, preserved in various forms, is called Shi`ur Qomah ("Measurement of the Body"), and is rooted in a mystical exegesis of the Song of Songs, a book reputedly venerated by Rabbi Akiva.
The literal message of the work was repulsive to those who maintained God's incorporeality; Maimonides (d. 1204) wrote that the book should be erased and all mention of its existence deleted.While throughout the era of merkabah mysticism the problem of creation was not of paramount importance, the treatise Sefer Yetzirah ("Book of Creation") represents an attempt at cosmogony from within a merkabah milieu. This text was probably composed during the seventh century CE, and evidences influence of Neoplatonism, Pythagoreanism, and Stoicism.
It features a linguistic theory of creation in which God creates the universe by combining the 22 letters of the Hebrew alphabet, along with emanations represented by the ten numerals, or sefirot.
A Complete 12 part Spiritual development Class Presented by The Abbotts Source from: Eagle Spirit Ministry
Preparation We recommend that you begin and end each Lesson with a short meditation of ten minutes duration, as your body and mind need to be calm and relaxed to achieve the best spiritual/psychic results.
To assist you to visualise the merkaba spiritual vehicle you may like to construct your own star tetrahedrons.
Make A Star Tetrahedrons A merkaba is a type of spiritual vehicle that totally surrounds you. It is part of your Light Body. It is the shape of a star tetrahedrons. Some of you will recognise this as the star of David, Melchizadek star or current Light Worker's symbol. It does not represent one particular religion, but is a Universal symbol.
This symbol has been used as a psychic tool for many thousands of years in various occult societies. It allows you to connect your energies with other higher energies and spiritual Beings in the upper layers and higher dimensions. You can learn to connect with and use your Merkaba vehicle by following simple exercises daily.
Note: Protection is essential before commencing any spiritual exercise. It should become a daily habit before rising and before going to sleep at night to ensure your psychic security.
While performing your Merkaba exercise, you may find yourself in a heightened state, which may make you feel spacey or disoriented. Do not drive, operate machinery, drink alcohol etc while in this heightened state. Allow yourself time to ground yourself and return to your normal 3rd Dimensional state.
While in this state, use the accumulated energies to heal, manifest, talk with Spirit etc.
When you are finished always Ground yourself by washing your hands, touching earth or a tree and walking barefooted.
Linking into the Cosmic Grid The Christ Consciousness Grid or Cosmic Grid is an energy field (mesh-like) which surrounds Earth. It contains Universal energies, which if 'tapped into', can assist healing, knowledge and manifestation for the Highest Intent.
We suggest that you pre record this exercise and then replay it when relaxed. Begin by surrounding yourself in a white protective light and ask your angelic guides to help you with this exercise. See the protection techniques in lesson six.
1. Visualise yourself in your merkaba vehicle (a three dimensional six pointed star), Your merkaba is similar to a space ship or time capsule, that can take you through space and the higher dimensions safely.
2. Visualise yourself rising up from this place and out into space.
3. Float up to the Cosmic Grid. It has a silver mesh-like appearance and consists of intertwined strands of cosmic energy.
4. Lock the topmost point of your Merkaba vehicle into one of the holes in the cosmic grid.
5. Feel yourself merging with the Grid and it's powerful and loving energies flowing through you. Enjoy this for a few minutes.
6. Think of someone who needs healing and send healing light and love to that person. Your energy will be magnified due to the interaction of the Grid. Pause for a few minutes.
7. Think of something you wish to have or manifest, for your highest good. It may be something abstract, such as world peace or a solid object, such as a new home or car. Visualise the combined energies of the Cosmic Grid bringing this object to you and positive results coming from its manifestation. Never think of negative results or situations while linked to the Grid, as these may be amplified. Concentrate for a few minutes.
8. Ask the Grid to send you Higher Knowledge that may help you with your spiritual path and everyday life situations. Listen for a few minutes.
9. Thank the Grid for its energies and gently release the point of your merkaba from the grid hole and slowly float down to the room. Now Ground yourself, before resuming normal activities. Say aloud; "All of my chakras are closed down to a safe level and any surplus energy I may have, within me, is sent out of my feet into the ground."
10. You may like to record your experiences in a special book, for further reference.
Summary of Lesson Seven The Merkaba or six pointed star shape, creates heightened states of spiritual and psychic energy, for healing, protection, manifestation, spiritual contact etc. You can link into the spiritual power of the Cosmic Grid to achieve greater psychic power. You should always use it for the Highest motives and with Unconditional Love.
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